Showing posts with label Terence Blanchard. Show all posts
Showing posts with label Terence Blanchard. Show all posts

Sunday, December 4, 2011

Robert Glasper - Canvas


The first time I heard of Robert Glasper was just after I got back to Dallas from President Obama’s inauguration. I think I had just thawed out. I came across a tune on NPR dedicated to the President called Enoch’s (Inaugural) Meditation; originally penned as Enoch’s Meditation from his 2005 album titled CANVAS(Blue Note, 2005). The tune was originally a concept tribute to drummer Enoch Jamal Strickland but the redux is a tribute to the election of President Barack Obama replete with speech excerpts from Dr. Martin Luther King, Dr. Cornel West as well as the newly inaugurated President of the United States. I once heard stories about the on the spot improvisation skills of Charlie Parker. For instance, while on the bandstand soloing, a sailor would walk in and Bird would begin adding elements of “Anchors Away” into his solos. I mention this because if you listen closely to Glasper’s solo work on this piece during President Obama’s speech excerpt, you will hear elements of “Hail to the Chief”.

Glasper left my radar shortly after I consumed this record. A couple of years later, I heard his name called as a tour keyboardist for Maxwell and I began a mission to seek out his recordings. Along with recording dates with likes of Terence Blanchard and Robert Hurst, I was surprised and intrigued to know that he has played on several familiar hip hop records with Q-Tip and Bilal. I was also shocked to find out his debut as a band leader was in 2004. How did I miss him?

Glasper’s sophomore offering CANVAS has been on constant rotation lately, more specifically the title track. Canvas is one of those tunes that remind me of elegant cigar rooms filled with beautiful people, full-bodied smells of smoke, glasses of scotch and swagger. He plays the full range of the harmony in his accompaniment and improve…I call it “ten finger chord playing”. The fullness of sound is audibly satisfying.

I have attempted to consume Glasper’s other offerings: IN MY ELEMENT (Blue Note 2007) and DOUBLE BOOKED (Blue Note 2009), but I keep coming back to Canvas. I think it just fits my sensibilities for the time being.
Glasper does some Fendor Rhodes work on this record and also uses Bilal for just that extra touch of sweet soulfulness.

This album is worth your time…and the song is worth 10 minutes of your day…every day.



Canvas Personnel:
•Robert Glasper – piano
Vicente Archer – bass
Damion Reid – drums
Mark Turner – tenor saxophone
•Bilal – vocals

Monday, February 9, 2009

2009 Grammy Winners - Jazz


Here is the list of 2009 Grammy winners in all the Jazz categories. I’m always more than excited to see my favorite female vocalist, Cassandra Wilson win. “Loverly” is by far, a great record!
I can’t say, unfortunately, that any of the other records hit my radar last year. But I’ll be seeking them out.

Contemporary Jazz Album: Randy in Brasil - Randy Brecker
Jazz Vocal Album: Loverly - Cassandra Wilson
Jazz Instrumental Solo: BE-BOP - Terence Blanchard,
Jazz Instrumental Album Individual or Group: The New Crystal Silence - Chick Corea and Gary Burton
Large Jazz Ensemble Album: Monday Night Live at the Village Vanguard - The Vanguard Jazz Orchestra
Latin Jazz Album: Song for Chico - Arturo O'Farrill and The Afro-Latin Jazz Orchestra

Jazz Pianist Allen Toussaint received 2009 Lifetime Achievement Honor. Toussaint composed hits including “Southern Nights,” “All These Things,” “Java,” “Whipped Cream,” “Mother-In-Law,” and “Working in a Coal Mine”. His collaborators are a diverse cross-section of music’s finest, including Elvis Costello, Paul Simon, the Band, Boz Scaggs, Patti LaBelle, and Bonnie Raitt. Mr. Toussaint joined the Rock and Roll Hall of Fame in 1998.

Also, Hank Jones, the 90-year-old jazz pianist and composer who was awarded Congress' National Medal of Arts earlier this year.